printed web

_notes/library-of-the-printed-web.md

@@ -0,0 +1,12 @@
+---
+date: 2021-05-02
+status: 🌱
+---
+
+![Printed Web 1, launched in January 2014](assets/images/Printed_Web_1.jpeg)
+
+<https://printedweb.org/>
+
+> Library of the Printed Web is a physical archive devoted to web-to-print artists’ books, zines and other printout matter. Founded by Paul Soulellis in 2013, the collection was acquired by The Museum of Modern Art Library in January 2017. The project has been described as "web culture articulated as printed artifact," an "archive of archives," characterized as an "accumulation of accumulations," much of it printed on demand. Techniques for appropriating web content used by artists in the collection include grabbing, hunting, scraping and performing, detailed by Soulellis in "Search, Compile, Publish," and later referenced by [[Post-Digital Print|Alessandro Ludovico]].
+
+<https://en.wikipedia.org/wiki/Library_of_the_Printed_Web>

_notes/post-digital-print.md

@@ -12,7 +12,7 @@ _Alessandro Ludovico_, Onomatopee, 2012
 
 > In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun.
 >
-> Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?
+> Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of [[publishing]]? How will they transition, mix and cross over?
 > 
 > In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of [Neural](http://neural.it/), a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art.
 

_notes/post-digital-publishing-archive.md

@@ -8,6 +8,6 @@ status: 🌱
 
 <http://p-dpa.net/>
 
-> The aim of the Post-Digital Publishing Archive (P—DPA) is to systematically collect, organize and keep trace of experiences in the fields of art and design that explore the relationships between publishing and digital technology. The archive acts as a space in which the collected projects are confronted and juxtaposed in order to highlight relevant paths, mutual themes, common perspectives, interrelations, but also oppositions and idiosyncrasies.
+> The aim of the [[post digital print|Post-Digital Publishing]] Archive (P—DPA) is to systematically collect, organize and keep trace of experiences in the fields of art and design that explore the relationships between [[publishing]] and digital technology. The archive acts as a space in which the collected projects are confronted and juxtaposed in order to highlight relevant paths, mutual themes, common perspectives, interrelations, but also oppositions and idiosyncrasies.
 
 <https://silviolorusso.com/work/post-digital-publishing-archive/>