Figma redesign #13
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title: index
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---
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||||
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||||
**ANNOUNCEMENT**: _Abolish the Family: A Manifesto for Care and Liberation_ [available for pre-order now](https://www.versobooks.com/books/4075-abolish-the-family).
|
||||
<h1 class="red-text">Announcement</h1>
|
||||
<p class="red-text">Abolish the Family: A Manifesto for Care and Liberation <a href="https://www.versobooks.com/books/4075-abolish-the-family">Available For Pre-Order Now</a>.<p>
|
||||
<div class="has-text-centered">
|
||||
<image class="small-cover" src="img/separator.jpg">
|
||||
<div class="headshot">
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<image class="small-cover" src="img/portrait.jpg">
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</div>
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</div>
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||||
I’m ***Sophie Lewis***, writer, speaker, teacher, and recovering academic.
|
||||
<h1>I’m <b>Sophie Lewis</b>, writer, speaker, teacher, and recovering academic.</h1>
|
||||
|
||||
Ian Bonaparte, of Janklow & Nesbit, is my literary agent, and you can contact him at [ibonaparte@janklow.com](mailto:ibonaparte@janklow.com).
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@ -18,7 +25,4 @@ My short book on family abolition, _Abolish the Family: A Manifesto for Care and
|
|||
I have a “Visiting Scholar” title at the Center for Research in Feminist, Queer and Transgender Studies at the University of Pennsylvania. However, I am supported by my [patreon][patreon] subscribers, speaking fees, and Brooklyn Institute course enrollees. Check out [my course offerings here](https://thebrooklyninstitute.com/people/sophie-lewis/).
|
||||
|
||||
[patreon]: https://www.patreon.com/reproutopia
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||||
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||||
Since 2013, I have lectured in thirty cities and written for dozens of magazines and journals, including _The New York Times_. I hope you enjoy my video and essay archives and consider supporting my work.
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_Octopus images by [Rupa DasGupta](https://anoctopusaday.tumblr.com/about)_
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@ -4,16 +4,4 @@ date: 2021-08-23T05:58:05+01:00
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octo: octo-1.webp
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---
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I am a writer and ex-European (I am British-German, raised in France), living in Philadelphia with my American wife and boyfriend and two cats. I am currently working on two book projects, but I also write ad-hoc commissioned essays for magazines including *Harpers*, *The Nation* and *The London Review of Books* on subjects ranging from Marilyn Monroe to medieval alewives. In 2019, my op-ed explaining "How British Feminism Became Anti-Trans" appeared in *The New York Times.* In my capacity as a faculty member of the Brooklyn Institute for Social Research, I teach online courses, open to all, on feminist history, trans feminism, *The Dialectic of Sex*, femonationalism and more. My first book, *Full Surrogacy Now: Feminism Against Family*, was first published by Verso Books in 2019 (the paperback and audiobook were released in August 2021). In the intervening period, I was profiled in publications ranging from *Vice* to *Die Zeit*, interviewed in *Bookforum* and *The Nation*, and invited to give keynotes at conferences hosted by universities like Brown, Brighton and Princeton. It is now frequently said that I "launched a global conversation about abolition of the nuclear family." At the beginning of the coronavirus lockdown in 2020, magazine editors who had dismissed my "family abolition" arguments as "too out there" suddenly wished to commission me to write critiques of the private nuclear household.
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Unexpectedly, I gained notoriety in late 2020 for different reasons---namely, octopuses. My tweeted thoughts on a Netflix documentary, *My Octopus Teacher* (which later won an Oscar), inflamed sensibilities to the extent that news articles even appeared in venues like *The Guardian* about the "scandal" of my interpretation. After the dust had settled, my essay reflecting on the saga appeared in *n+1*, where I laid out my views on erotophobia, multispecies love, cephalopod cognition and more. Magazines where my essays on topics both related and unrelated to \#octopusgate over the past five years include: *Mal*, *Mute*, *Commune*, *e-flux*, *Logic*, *Boston Review*, *Salvage Quarterly*, *The New Inquiry*, *Viewpoint*, *Dissent* and *The Baffler*. The final chapter of *Full Surrogacy Now*, "Amniotechnics," has been reprinted four times---including by a feminist iris-printing collective in the Netherlands, who spliced my text together with the 1970 manifesto Triple Jeopardy, by the Third World Women's Alliance. In Paris and Berlin, the "curatorial research-based entity" The World in Which We Occur / Matter in Flux used my phrase "electric brine" as the title of an anthology of liquid poems and essays, reproducing "Amniotechnics" alongside contributions by several other hydrofeminist poets and philosophers.
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At present I occasionally organize or participate in symposia at theUniversity of Pennsylvania, where I hold a nominal title ("Visiting Scholar") at the Center for Research in Feminist, Queer, and Transgender Studies. I graduated from Oxford University with a BA in English Literature in 2010, and then stayed on to earn an MSc in Nature, Society and Environmental Policy. Between 2011 and 2013, I studied as a Fulbright Scholar at the New School for Social Research in New York, graduating with an MA in Politics. At that stage, I won a full scholarship from a Research Council in the United Kingdom to pursue a PhD at the University of Manchester, which I completed in 2017 with my thesis about gestationality: "Cyborg Labor." Until Covid-19 hit, I continued to present my research at conferences in the humanities and social sciences evert year. My peer-reviewed articles have appeared in *Feminist Theory*, *Signs*, *Gender Place & Culture*, *Dialogues in Human Geography*, *Frontiers*, *Feminist Review*, *Science as Culture* and *Society & Space*. A co-authored piece with Asa Seresin on the history of "fascist feminism"---notably the 1920s lesbian suffragettes who joined Fascist parties---is forthcoming in *Transgender Studies Quarterly* in 2022.
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||||
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I am a writer and ex-European (I am British-German, raised in France), living in Philadelphia with my American wife and boyfriend and two cats. I am currently working on two book projects, but I also write ad-hoc commissioned essays for magazines including Harpers, The Nation and The London Review of Books on subjects ranging from Marilyn Monroe to medieval alewives. In 2019, my op-ed explaining "How British Feminism Became Anti-Trans" appeared in The New York Times. In my capacity as a faculty member of the Brooklyn Institute for Social Research, I teach online courses, open to all, on feminist history, trans feminism, The Dialectic of Sex, femonationalism and more. My first book, Full Surrogacy Now: Feminism Against Family, was first published by Verso Books in 2019 (the paperback and audiobook were released in August 2021). In the intervening period, I was profiled in publications ranging from Vice to Die Zeit, interviewed in Bookforum and The Nation, and invited to give keynotes at conferences hosted by universities like Brown, Brighton and Princeton. It is now frequently said that I "launched a global conversation about abolition of the nuclear family." At the beginning of the coronavirus lockdown in 2020, magazine editors who had dismissed my "family abolition" arguments as "too out there" suddenly wished to commission me to write critiques of the private nuclear household.
|
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@ -3,7 +3,7 @@ title: Events
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|||
---
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||||
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||||
<section id="events-listing">
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||||
<h1>Upcoming Events</h1>
|
||||
<h1>Past Events</h1>
|
||||
<ul class="events-list">
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||||
<li class="past-event">
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||||
<p class="event-title">Parapraxis seminar, online (Zoom) – with M.E. O’Brien</p>
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@ -25,44 +25,44 @@ title: Events
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<small>28 Sep 2022 (Wed) – 7pm EST</small>
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</li>
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||||
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||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Abolish the Family launch – LRB Bookshop – with Lola Olufemi </p>
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||||
<small>4 Oct 2022 (Tues) – 7pm</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Lecture on mothering against motherhood at Gropius Bau, Berlin</p>
|
||||
<small>7-8 Oct 2022 (Fri-Sat)</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Abolish the Family seminar, ISJPS, Sorbonne, Paris.</p>
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<small>14 Oct 2022 (Fri) – 2pm CET</small>
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||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Jindřich Chalupecký Society (SJCH) curatorial collective, Display, Prague</p>
|
||||
<small>15-16 Oct 2022 (Sat-Sun)</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Abolish the Family launch discussion, Making Worlds bookstore, Philadelphia</p>
|
||||
<small> 29 October 2022, 7pm</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
|
||||
<li class="past-event">
|
||||
<p class="event-title">Abolish the Family launch event, UMass Boston, University Hall 2120</p>
|
||||
<small>16 November 2022, 4pm</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">University of Pittsburgh</p>
|
||||
<small>1 Dec 2022 (Thur)</small>
|
||||
</li>
|
||||
|
||||
<li>
|
||||
<li class="past-event">
|
||||
<p class="event-title">Diane di Prima and Acid Communism, Culture Nights at the Bishop Bar, Bloomington, Indiana</p>
|
||||
<small>7 December 2022, 5pm</small>
|
||||
</li>
|
||||
</ul>
|
||||
</section>
|
||||
</section>
|
||||
|
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@ -1,206 +0,0 @@
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|||
---
|
||||
title: "Writing"
|
||||
octo: octo-4.webp
|
||||
---
|
||||
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||||
<div>
|
||||
<div class="flex-row-books">
|
||||
<div class="thead">BOOKS</div>
|
||||
<div class="book-cell">
|
||||
<div class="book-cover">
|
||||
<a href="/writing/abolish-the-family">
|
||||
<img src="/img/books/abolish-the-family.jpg" alt='Abolish the Family Cover'>
|
||||
<p>
|
||||
DETAILS
|
||||
</p>
|
||||
</a>
|
||||
</div>
|
||||
<p class="book-stats"><b>Abolish the Family: A Manifesto for Care and Liberation</b></p>
|
||||
<p class="book-stats"><i><a href="https://www.versobooks.com/books/4075-abolish-the-family">Pre-order now!</a></i></p>
|
||||
</div>
|
||||
<div class="book-cell">
|
||||
<div class="book-cover">
|
||||
<img src="/img/books/fsn-cover.jpg" alt='Full Surrogacy Now Cover'>
|
||||
<a href="/writing/full-surrogacy-now/">
|
||||
<p>
|
||||
DETAILS
|
||||
</p>
|
||||
</a>
|
||||
</div>
|
||||
<p class="book-stats"><b>Full Surrogacy Now!</b></p>
|
||||
<p class="book-stats"><i>Published in May 2019</i></p>
|
||||
</div>
|
||||
</div>
|
||||
<div class="writing-section">
|
||||
<div class="thead">ESSAYS</div>
|
||||
<div class="writing-item">
|
||||
<p>2022. <a href="https://www.thenation.com/article/society/abortion-ethics-gestation-reproduction/"><strong>Abortion Involves Killing - And That's OK!</strong></a>, <em>The Nation</em>, June 22.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2022. <a href="https://salvage.zone/free-anthrogenesis-antiwork-abortion/"><strong>Free Anthrogenesis: Antiwork Abortion</strong></a>, <em>Salvage</em>, June 1.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2022. <a href="https://thebaffler.com/salvos/a-woman-is-a-woman-lewis"><strong>A Woman is a Woman?
|
||||
Lillian Faderman's Selective Histories</strong></a>, <em>The Baffler</em>, March edition.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2022. <a href="http://doi.org/10.1177/14647001211059520"><strong>Mothering against motherhood: doula
|
||||
work, xenohospitality and the idea of the momrade</strong></a>, <em>Feminist Theory</em>,
|
||||
January 10.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a href="https://lrb.co.uk/the-paper/v43/n22/sophie-lewis/shebeen-queens"><strong>Shebeen
|
||||
Queens</strong></a>, <em>LRB</em>, November 18.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a
|
||||
href="https://bostonreview.net/arts-society-gender-sexuality/sophie-lewis-how-domestic-labor-robs-women-their-love"><strong>How
|
||||
Domestic Labor Robs Women of Their Love</strong></a>, <em>Boston Review</em>, October 28.
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a href="https://www.thenation.com/article/society/shulamith-firestone-dialectic-sex/"><strong>Shulamith
|
||||
Firestone Wanted to Abolish Nature</strong></a>, <em>The Nation</em>, July 14.</p>
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a href="https://www.dissentmagazine.org/article/the-family-lottery"><strong>The Family
|
||||
Lottery</strong></a>, <em>Dissent Magazine</em>, Summer issue.</p>
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a href="https://nplusonemag.com/issue-39/reviews/my-octopus-girlfriend/"><strong>My Octopus
|
||||
Girlfriend</strong></a> (on erotophobia), <em>n+1 </em>magazine, Issue 39. </p>
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2021. <a href="https://brand-new-life.org/b-n-l/low-tech-grassroots-ectogenesis/"><strong>Low-Tech
|
||||
Grassroots Ectogenesis</strong></a>, <em>brand new life</em> magazine, February 2.</p>
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a href="https://thebaffler.com/latest/utopia-no-lewis"><strong>Utopia, No</strong></a> (on
|
||||
<em>Entitled </em>by Kate Manne), <em>The Baffler</em>, November 19. </p>
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a
|
||||
href="https://www.e-flux.com/journal/111/343916/with-women-grieving-in-capitalist-time/"><strong>With-Women:
|
||||
Grieving in Capitalist Time</strong></a>, <em>e-flux </em>journal #111, September. </p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a href="https://maljournal.com/5/sex-negative/sophie-lewis/collective-turn-off/"><strong>Collective
|
||||
Turn-Off</strong></a>, <em>Mal Journal</em>, Issue 5 (“Sex-Negative”), August 14.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a
|
||||
href="https://salvage.zone/in-print/mothering-against-the-world-momrades-against-motherhood/"><strong>Mothering
|
||||
Against the World: Momrades Against Motherhood</strong></a>, <em>Salvage Quarterly</em>,
|
||||
September 18. </p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a href="https://uchri.org/foundry/houses-into-homes/"><strong>Houses Into Homes</strong></a>,
|
||||
<em>UCHRI</em>, Foundry “Boiling Point” series.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a
|
||||
href="https://www.dissentmagazine.org/article/grief-circling"><strong>Grief-Circling</strong></a>,
|
||||
<em>Dissent</em> magazine (Summer issue). </p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a href="https://www.thenation.com/article/society/family-covid-care-marriage/"><strong>Covid-19
|
||||
Is Straining the Concept of the Family. Let’s Break It</strong></a><a
|
||||
href="https://www.thenation.com/article/society/family-covid-care-marriage/">,</a> <em>The
|
||||
Nation</em>, June 3.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a
|
||||
href="https://www.opendemocracy.net/en/oureconomy/coronavirus-crisis-shows-its-time-abolish-family/"><strong>The
|
||||
coronavirus crisis shows it's time to abolish the family</strong></a>,
|
||||
<em>openDemocracy</em>, March 24.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2020. <a
|
||||
href="https://www.dissentmagazine.org/article/hello-to-my-haters-tucker-carlsons-mob-and-me"><strong>Hello
|
||||
to my Haters</strong></a><strong>: Tucker Carlson’s Mob and Me, </strong><em>Dissent</em>
|
||||
magazine, Winter issue.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2019. <a href="http://www.thewhitereview.org/reviews/who-liberates-the-slaves/"><strong>Who Liberates
|
||||
the Slaves?</strong></a> (Review of <em>The Testaments </em>by Margaret Atwood.) <em>The
|
||||
White Review</em>, December 22.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2019. <a href="https://communemag.com/the-satanic-death-cult-is-real/"><strong>The Satanic Death-Cult
|
||||
is Real</strong></a> – on familial trauma. <em>Commune </em>magazine, Issue IV, August 28.
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2019. <a href="https://logicmag.io/bodies/do-electric-sheep-dream-of-water-babies"><strong>Do
|
||||
Electric Sheep Dream of Water Babies?</strong></a> - on ectogenic bio-bags; <em>Logic
|
||||
</em>magazine. Issue 8.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2019. ‘<a href="https://www.redpepper.org.uk/cyborg-sentiments/"><strong>Cyborg
|
||||
Sentiments</strong></a><a href="https://www.redpepper.org.uk/cyborg-sentiments/">’</a> – on
|
||||
xenofeminism. <em>Red Pepper </em>magazine. March 27.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2019. ‘<a href="https://thenewinquiry.com/for-one-another/"><strong>For One Another</strong></a><a
|
||||
href="https://thenewinquiry.com/for-one-another/">’</a>, <em>The New Inquiry</em>. January 23.
|
||||
</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2018. ‘<a
|
||||
href="https://newsocialist.org.uk/labour-does-you-might-thinking-through-pregnancy-work-help-us-radicalise-politics-care/"><strong>Labor
|
||||
Does You</strong></a><a
|
||||
href="https://newsocialist.org.uk/labour-does-you-might-thinking-through-pregnancy-work-help-us-radicalise-politics-care/">’</a>:
|
||||
Might thinking through pregnancy as work help us radicalise the politics of care? <em>The New
|
||||
Socialist</em>. December 26.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2018. ‘<a
|
||||
href="http://bostonreview.net/forum/all-reproduction-assisted/sophie-lewis-mothering"><strong>All
|
||||
Reproduction is Assisted</strong></a>.’ <em>Boston Review </em>| <em>The Once and Future
|
||||
Feminist</em>, ed. Merve Emre.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2018. ‘<a href="https://www.versobooks.com/blogs/3654-gestators-of-all-genders-unite"><strong>Gestators
|
||||
of all Genders, Unite!</strong></a>’ – the Verso Books Blog. March 26.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2018. ‘<a
|
||||
href="https://www.versobooks.com/blogs/3845-not-a-workplace-julie-bindel-and-the-school-of-wrong-abolitionism"><strong>Not
|
||||
a Workplace: Julie Bindel and the school of wrong abolitionism’</strong></a> – Verso Books
|
||||
Blog. May 24.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2017. “<a href="http://viewpointmag.com/2017/05/08/cthulhu-plays-no-role-for-me"><strong>Cthulhu
|
||||
Plays No Role For Me</strong></a>” (on the oeuvre of Donna Haraway) –
|
||||
<em>Viewpoint</em>magazine, May 8.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2017. ‘<a href="http://thenewinquiry.com/amniotechnics"><strong>Amniotechnics</strong></a>’ – on a
|
||||
watery politics of holding and letting go – <em>The New Inquiry</em>. January 25.</p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p>2016. ‘<a href="https://salvage.zone/in-print/serf-n-terf-notes-on-some-bad-materialisms/"><strong>SERF
|
||||
‘n’ TERF: Notes on some Bad Materialisms</strong></a>’ – <em>Salvage Quarterly</em>, vol. 5.
|
||||
February 6.</p>
|
||||
</div>
|
||||
</div>
|
||||
<div class="writing-section">
|
||||
<div class="thead">COLLECTIVE WRITING</div>
|
||||
<div class="writing-item">
|
||||
<p><strong><a href="https://www.commonnotions.org/buy/hope-against-hopa">Hope Against Hope: Writings on
|
||||
Ecological Crisis</a></strong>, as part of ecological writing collective <em><a
|
||||
href="https://twitter.com/out_woods">Out of the Woods</a></em>.</p>
|
||||
<p><i>Published in June 2020</i></p>
|
||||
</div>
|
||||
<div class="writing-item">
|
||||
<p><strong>End/And: Feminization in Unending Times</strong>, as part of feminist film criticism platform
|
||||
<em><a href="http://blindfieldjournal.com/">Blind Field: A Journal of Cultural Inquiry</a></em></p>
|
||||
<p><i>Published in 2017</i></p>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,180 @@
|
|||
---
|
||||
title: "Writing"
|
||||
octo: octo-4.webp
|
||||
essays:
|
||||
- title: Abortion Involves Killing - And That's OK!
|
||||
url: "https://www.thenation.com/article/society/abortion-ethics-gestation-reproduction/"
|
||||
publication: The Nation
|
||||
year: 2022
|
||||
date: June 22
|
||||
- title: "Free Anthrogenesis: Antiwork Abortion"
|
||||
url: https://salvage.zone/free-anthrogenesis-antiwork-abortion/
|
||||
publication: Salvage
|
||||
year: 2022
|
||||
date: June 1
|
||||
- title: A Woman is a Woman? Lillian Faderman's Selective Histories
|
||||
url: https://salvage.zone/free-anthrogenesis-antiwork-abortion/
|
||||
publication: The Baffler
|
||||
year: 2022
|
||||
date: March edition
|
||||
- title: "Mothering against motherhood: doula work, xenohospitality and the idea of the momrades"
|
||||
url: http://doi.org/10.1177/14647001211059520
|
||||
publication: Feminist Theory
|
||||
year: 2022
|
||||
date: January 10
|
||||
- title: Shebeen Queens
|
||||
url: https://lrb.co.uk/the-paper/v43/n22/sophie-lewis/shebeen-queens
|
||||
publication: LRB
|
||||
year: 2021
|
||||
date: November 18
|
||||
- title: How Domestic Labor Robs Women of Their Love
|
||||
url: https://bostonreview.net/arts-society-gender-sexuality/sophie-lewis-how-domestic-labor-robs-women-their-love
|
||||
publication: Boston Review
|
||||
year: 2021
|
||||
date: October 28
|
||||
- title: Shulamith Firestone Wanted to Abolish Nature
|
||||
url: https://www.thenation.com/article/society/shulamith-firestone-dialectic-sex/
|
||||
publication: The Nation
|
||||
year: 2021
|
||||
date: July 14
|
||||
- title: The Family Lottery
|
||||
url: https://www.dissentmagazine.org/article/
|
||||
publication: Dissent Magazine
|
||||
year: 2021
|
||||
date: Summer issue
|
||||
- title: My Octopus Girlfriend (on erotophobia)
|
||||
url: https://www.dissentmagazine.org/article/
|
||||
publication: n+1 magazine
|
||||
year: 2021
|
||||
date: Issue 39
|
||||
- title: Low-Tech Grassroots Ectogenesis
|
||||
url: https://brand-new-life.org/b-n-l/low-tech-grassroots-ectogenesis/
|
||||
publication: brand new life magazine
|
||||
year: 2021
|
||||
date: February 2
|
||||
- title: Utopia, No (on Entitled by Kate Manne)
|
||||
url: https://thebaffler.com/latest/utopia-no-lewis
|
||||
publication: The Baffler
|
||||
year: 2020
|
||||
date: November 19
|
||||
- title: "With-Women: Grieving in Capitalist Time"
|
||||
url: https://www.e-flux.com/journal/111/343916/with-women-grieving-in-capitalist-time/
|
||||
publication: e-flux journal
|
||||
year: 2020
|
||||
date: "#111, September"
|
||||
- title: Collective Turn-Off
|
||||
url: https://maljournal.com/5/sex-negative/sophie-lewis/collective-turn-off/
|
||||
publication: Mal Journal
|
||||
year: 2020
|
||||
date: "Issue 5 (“Sex-Negative”), August 14"
|
||||
- title: "Mothering Against the World: Momrades Against Motherhood"
|
||||
url: https://salvage.zone/in-print/mothering-against-the-world-momrades-against-motherhood/
|
||||
publication: Salvage Quarterly
|
||||
year: 2020
|
||||
date: September 18
|
||||
- title: Houses Into Homes
|
||||
url: https://uchri.org/foundry/houses-into-homes/
|
||||
publication: UCHRI
|
||||
year: 2020
|
||||
date: Foundry “Boiling Point” series
|
||||
- title: Grief-Circling
|
||||
url: https://www.thenation.com/article/society/family-covid-care-marriage/
|
||||
publication: Dissent magazine
|
||||
year: 2020
|
||||
date: (Summer issue)
|
||||
- title: Covid-19 Is Straining the Concept of the Family. Let’s Break It
|
||||
url: https://www.thenation.com/article/society/family-covid-care-marriage/
|
||||
publication: The Nation
|
||||
year: 2020
|
||||
date: June 3
|
||||
- title: The coronavirus crisis shows it's time to abolish the family
|
||||
url: https://www.opendemocracy.net/en/oureconomy/coronavirus-crisis-shows-its-time-abolish-family/
|
||||
publication: openDemocracy
|
||||
year: 2020
|
||||
date: March 24
|
||||
- title: "Hello to my Haters: Tucker Carlson’s Mob and Me"
|
||||
url: https://www.dissentmagazine.org/article/hello-to-my-haters-tucker-carlsons-mob-and-me
|
||||
publication: Dissent magazine
|
||||
year: 2020
|
||||
date: Winter issue
|
||||
- title: "Who Liberates the Slaves? (Review of The Testaments by Margaret Atwood)"
|
||||
url: http://www.thewhitereview.org/reviews/who-liberates-the-slaves/hello-to-my-haters-tucker-carlsons-mob-and-me
|
||||
publication: The White Review
|
||||
year: 2019
|
||||
date: December 22
|
||||
- title: The Satanic Death-Cult is Real – on familial trauma
|
||||
url: https://communemag.com/the-satanic-death-cult-is-real/
|
||||
publication: Commune magazine
|
||||
year: 2019
|
||||
date: Issue IV, August 28
|
||||
- title: Do Electric Sheep Dream of Water Babies? - on ectogenic bio-bags
|
||||
url: https://logicmag.io/bodies/do-electric-sheep-dream-of-water-babies
|
||||
publication: Logic magazine
|
||||
year: 2019
|
||||
date: Issue 8
|
||||
- title: Cyborg Sentiments – on xenofeminism
|
||||
url: https://www.redpepper.org.uk/cyborg-sentiments/
|
||||
publication: Red Pepper magazine
|
||||
year: 2019
|
||||
date: March 27
|
||||
- title: For One Another
|
||||
url: https://thenewinquiry.com/for-one-another/
|
||||
publication: The New Inquiry
|
||||
year: 2019
|
||||
date: January 23
|
||||
- title: "‘Labor Does You’: Might thinking through pregnancy as work help us radicalise the politics of care?"
|
||||
url: https://thenewinquiry.com/for-one-another/
|
||||
publication: The New Inquiry
|
||||
year: 2018
|
||||
date: January 23
|
||||
- title: All Reproduction is Assisted
|
||||
url: http://bostonreview.net/forum/all-reproduction-assisted/sophie-lewis-mothering
|
||||
publication: Boston Review | The Once and Future Feminist, ed. Merve Emre
|
||||
year: 2018
|
||||
- title: Gestators of all Genders, Unite!
|
||||
url: https://www.versobooks.com/blogs/3654-gestators-of-all-genders-unite
|
||||
publication: Verso Books Blog
|
||||
year: 2018
|
||||
date: March 26
|
||||
- title: "Not a Workplace: Julie Bindel and the school of wrong abolitionism"
|
||||
url: https://www.versobooks.com/blogs/3845-not-a-workplace-julie-bindel-and-the-school-of-wrong-abolitionism
|
||||
publication: Verso Books Blog
|
||||
year: 2018
|
||||
date: May 24
|
||||
- title: "“Cthulhu Plays No Role For Me” (on the oeuvre of Donna Haraway)"
|
||||
url: http://viewpointmag.com/2017/05/08/cthulhu-plays-no-role-for-me
|
||||
publication: Viewpoint magazine
|
||||
year: 2017
|
||||
date: May 8
|
||||
- title: "‘Amniotechnics’ – on a watery politics of holding and letting go"
|
||||
url: http://thenewinquiry.com/amniotechnics
|
||||
publication: The New Inquiry
|
||||
year: 2017
|
||||
date: January 25
|
||||
- title: "SERF ‘n’ TERF: Notes on some Bad Materialisms"
|
||||
url: https://salvage.zone/in-print/serf-n-terf-notes-on-some-bad-materialisms/
|
||||
publication: Salvage Quarterly
|
||||
year: 2017
|
||||
date: vol. 5. February 6
|
||||
books:
|
||||
- title: "Abolish the Family: A Manifesto for Care and Liberation"
|
||||
path: /writing/abolish-the-family
|
||||
imgsrc: /img/books/abolish-the-family.jpg
|
||||
body: Coming soon
|
||||
- title: "Full Surrogacy Now"
|
||||
path: /writing/full-surrogacy-now/
|
||||
imgsrc: /img/books/fsn-cover.jpg
|
||||
body: Published in May 2019
|
||||
collective:
|
||||
- title: "Hope Against Hope: Writings on Ecological Crisis"
|
||||
url: https://www.commonnotions.org/buy/hope-against-hopa
|
||||
blurb: as part of ecological writing collective
|
||||
publication: Out of the Woods
|
||||
puburl: https://twitter.com/out_woods
|
||||
year: 2020
|
||||
- title: "End/And: Feminization in Unending Times"
|
||||
blurb: as part of feminist film criticism platform
|
||||
publication: "Blind Field: A Journal of Cultural Inquiry"
|
||||
puburl: http://blindfieldjournal.com/
|
||||
year: 2017
|
||||
---
|
||||
|
|
@ -1,101 +1,52 @@
|
|||
---
|
||||
title: Abolish the Family
|
||||
title: abolish-the-family
|
||||
---
|
||||
|
||||
<div id="abolish-the-family">
|
||||
<article class="book-cell">
|
||||
<h1 class="title book-title">Abolish the Family: A Manifesto for Care and Liberation</h1>
|
||||
<div class="book-cover">
|
||||
<img src="/img/books/abolish-the-family.jpg" alt="Abolish the Family Cover">
|
||||
</div>
|
||||
<p class="book-stats"><a class="order-link" href="https://versobooks.com/books/4075-abolish-the-family">Pre-order now</a></p>
|
||||
</article>
|
||||
<div class="column is-three-fifths">
|
||||
<div class="book-cover has-text-centered">
|
||||
<h1 class="red-text">Abolish The Family: A Manifesto For Care And Liberation</h1><br>
|
||||
<img class="medium" src="/img/books/abolish-the-family.jpg" alt="Abolish the Family Cover">
|
||||
<p class="book-stats"><a class="order-link red-text" href="https://versobooks.com/books/4075-abolish-the-family">Pre-order now</a></p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<hr class="red_text">
|
||||
<section id="reviews">
|
||||
<h2 class="subtitle">Reviews</h2>
|
||||
<ol>
|
||||
<li>
|
||||
<p><a href="https://www.newstatesman.com/international-politics/ideas-international-politics/2022/09/abolish-family">Red Love, For All</a> — by Erin Maglaque</p>
|
||||
</li>
|
||||
<li>
|
||||
<p><a href="https://www.publishersweekly.com/9781839767197">Publisher's Weekly:</a> “Lewis builds a harsh yet well-grounded portrait of familial dysfunction. This provocation stings.”</p>
|
||||
</li>
|
||||
<li>
|
||||
<p><a href="/img/abolish-the-family-internationalist-review-clipping.png">The New Internationalist</a> — Amy Hall</p>
|
||||
</li>
|
||||
</ol>
|
||||
<h1 class="red-text">Reviews</h1>
|
||||
<a href="https://www.publishersweekly.com/9781839767197" target="_blank"><b>"Lewis builds a harsh yet well-grounded portrait of familial dysfunction. This provocation stings."</b></a>
|
||||
<p>Publisher's Weekly</p>
|
||||
|
||||
<a href="https://www.newstatesman.com/international-politics/ideas-international-politics/2022/09/abolish-family" target="_blank"><b>"Family is a terrible way to satisfy our desire for love and care, according to the writer and academic Sophie Lewis. The solution? Abolish it."</b></a>
|
||||
<p>Erin Maglaque</p>
|
||||
</section>
|
||||
|
||||
<hr />
|
||||
<section class="testimonials">
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“I am consistently dazzled by Sophie Lewis's work, which is both intellectually capacious and heart-expanding. Abolish the Family is a liberatory demand and a world-making project proposed here with revolutionary love and inimitable style. Without fail, Lewis clarifies, disrupts and inspires.”
|
||||
</p>
|
||||
<p class="testimonial-author">Natasha Lennard, <i>Being Numerous: Essays on Non-Fascist Life</i></p>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“The idea of family abolition tends to provoke skeptical reactions: Can't families be a source of solidarity? Without families, who would we count on when things get tough? Shouldn't we protect vulnerable families, ostracized families, separated families? Sophie Lewis faces up to the hard questions without flinching, while ultimately steering us towards different ones: How else could we live, and who else could we be? Abolish the Family is a rigorously utopian, radically compassionate, unapologetically revolutionary manifesto, by equal parts thrilling and sobering. We all deserve better than the family, Lewis argues, and it’s up to all of us to build new forms of solidarity and care that reach beyond biology or even kin, even if we don’t know quite what they’ll look like. Abolish the Family will make you want to find out.”
|
||||
</p>
|
||||
<p class="testimonial-author">Alyssa Battistoni</p>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“Sharp, engaging, and bursting with intellectual energy, Abolish the Family is a triumph. Whether you come to this book as a critic of The Family or as its most ardent supporter, you're sure to find something within its pages to move, challenge, or provoke you. It's a joy to read, and I cannot recommend it highly enough.'”
|
||||
</p>
|
||||
<small class="testimonial-author">Helen Hester, author of Xenofeminism</small>
|
||||
<p class="testimonial-author">Helen Hester, <i>Xenofeminism</i></p>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“Sophie Lewis once again shines forth as one of the boldest thinkers of our current moment with this highly anticipated sequel to her groundbreaking Full Surrogacy Now. How might we understand caring, sharing, and loving outside the concept of kinship? In this energizing little book - part history and critical analysis, part manifesto — Lewis helps us understand family abolition as world-making rather than as a subtraction of infrastructure, and she does so with remarkable clarity, precision, and wit.”
|
||||
</p>
|
||||
<small class="testimonial-author">Sianne Ngai, author of Theory of the Gimmick</small>
|
||||
<p class="testimonial-author">Sianne Ngai, <i>Theory of the Gimmick</i></p>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“The idea of family abolition tends to provoke skeptical reactions: Can't families be a source of solidarity? Without families, who would we count on when things get tough? Shouldn't we protect vulnerable families, ostracized families, separated families? Sophie Lewis faces up to the hard questions without flinching, while ultimately steering us towards different ones: How else could we live, and who else could we be? Abolish the Family is a rigorously utopian, radically compassionate, unapologetically revolutionary manifesto, by equal parts thrilling and sobering. We all deserve better than the family, Lewis argues, and it’s up to all of us to build new forms of solidarity and care that reach beyond biology or even kin, even if we don’t know quite what they’ll look like. Abolish the Family will make you want to find out.”
|
||||
</p>
|
||||
<small class="testimonial-author">Alyssa Battistoni</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“I am consistently dazzled by Sophie Lewis's work, which is both intellectually capacious and heart-expanding. Abolish the Family is a liberatory demand and a world-making project proposed here with revolutionary love and inimitable style. Without fail, Lewis clarifies, disrupts and inspires.”
|
||||
</p>
|
||||
<small class="testimonial-author">Natasha Lennard, author of Being Numerous: Essays on Non-Fascist Life</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“What would it be like to imagine a communism not just of wealth but also of care, love and belonging? Where the full range of human needs are met without depending on the fragile bubble of the nuclear family? That institution we are all supposed to believe will be there for us - even though so many books and films detail all the ways in which it fails. This is the difficult yet important terrain where Sophie Lewis ventures. Abolish the Family is a short, sharp shock to our assumptions about the good life and how to achieve it.”
|
||||
</p>
|
||||
<small class="testimonial-author">McKenzie Wark, author of A Hacker Manifesto and Molecular Red</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“Sophie Lewis and her expansive vision of feminism are desperately needed right now. She makes the work of undoing what ‘womanhood’ has come to mean look possible and irresistible.”
|
||||
</p>
|
||||
<small class="testimonial-author">Melissa Gira Grant, author of Playing the Whore</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“In her writing, Lewis shows us the kind of feminist care that is within our reach and the intellectual work we must do to actualise it. Generous, charged and always underpinned by a comradely orientation to its reader, Abolish the Family traverses historical and contemporary arguments for unmaking the bourgeois family and methodically interrogates the idea that it is an unshakeable, ubiquitous institution that must be protected at all costs. Lewis draws on a number of radical political genealogies to say "no" - the nuclear family is a deficient provider of care and resource, a conceptual footstool for the racist nation-state and its many border regimes, a hotbed of gendered exploitation and violence… there are other possibilities! Let’s embrace them together!”
|
||||
</p>
|
||||
<small class="testimonial-author">Lola Olufemi, author of Feminism, Interrupted and Experiments in Imagining Otherwise</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“Sophie Lewis is at the top of a new generation of scholars and activists thinking the transformation of gestational labor within contemporary pharmacopornographic capitalism. Neither simply natural nor banally cultural, gestation appears as the unthought core of gender and sexual politics, and the key of a forthcoming womb revolution: trans-Marx meets mammal's politics!”
|
||||
</p>
|
||||
<small class="testimonial-author">Paul B. Preciado, author of Testo Junkie</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“A bracing invitation to think beyond an institution that immiserates so many but that, for just as many, remains a fixed point of social possibility. Sophie Lewis is, as always, sharp, bold, compassionate and fearless.”
|
||||
</p>
|
||||
<small class="testimonial-author">Amia Srinivasan, author of The Right to Sex</small>
|
||||
</article>
|
||||
|
||||
<article class="testimonial-card">
|
||||
<p class="testimonial-text">
|
||||
“Sophie Lewis is at the forefront of a vital queer, trans, feminist communist movement to create an expansive field of revolutionary theory and strategy for today. Abolish the Family is an important contribution to Lewis's already discourse-shaping body of work, analyzing and seeking ways to move beyond the contradictory and complex function of families under conditions of extreme capital accumulation and capitalist crisis. A call for liberation from the privatization of domestic labor and the cruel scarcities of care under capitalism, Abolish the Family exhorts us toward something so much better than what we’ve got.”
|
||||
</p>
|
||||
<small class="testimonial-author">Jordy Rosenberg, author of Confessions of the Fox</small>
|
||||
</article>
|
||||
</section>
|
||||
</div>
|
||||
|
||||
|
|
|
|||
|
|
@ -0,0 +1,16 @@
|
|||
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||||
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|
||||
|
|
@ -0,0 +1,23 @@
|
|||
<div id="books-section" class="columns">
|
||||
<div class="column is-one-fifth">
|
||||
<div class="thead">BOOKS</div>
|
||||
</div>
|
||||
<div class="column">
|
||||
<div class="columns">
|
||||
{{ range .Params.Books }}
|
||||
<div class="column is-half">
|
||||
<div class="book-cell">
|
||||
<h3>{{ .title }}</h3><br>
|
||||
<div class="book-cover">
|
||||
<a href={{ .path }}>
|
||||
<img src={{ .imgsrc }} alt={{ .title }}>
|
||||
</a>
|
||||
</div>
|
||||
<p class="book-blurb"><b>{{ .body }}</b></p>
|
||||
<p class="book-detail"><a href={{ .path }}>Details</a></p>
|
||||
</div>
|
||||
</div>
|
||||
{{ end}}
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,20 @@
|
|||
<div class="level accordion">
|
||||
<div class="level-left">
|
||||
<div class="level-item">{{ .year }}</div>
|
||||
</div>
|
||||
<div class="level-right">
|
||||
<div class="level-item">
|
||||
<span class="icon">
|
||||
<i class="fa-sharp fa-solid fa-circle-arrow-down"></i>
|
||||
</span>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
<div class="acc-panel">
|
||||
<div class="acc-panel-content">
|
||||
{{ range where .collective "year" .year }}
|
||||
<p><a href={{ .url }}>{{ .title}}</a>, {{ .blurb }} <a
|
||||
href={{ .puburl}}>{{ .publication }}</a>.</p>
|
||||
{{ end }}
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,12 @@
|
|||
<div class="writing-section">
|
||||
<div class="columns">
|
||||
<div class="column is-one-fifth">
|
||||
|
||||
<div class="thead">COLLECTIVE WRITING</div>
|
||||
</div>
|
||||
<div class="column">
|
||||
{{ partial "collective-accordion" (dict "collective" .Params.Collective "year" 2020)}}
|
||||
{{ partial "collective-accordion" (dict "collective" .Params.Collective "year" 2017)}}
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,19 @@
|
|||
<div class="level accordion">
|
||||
<div class="level-left">
|
||||
<div class="level-item">{{ .year }}</div>
|
||||
</div>
|
||||
<div class="level-right">
|
||||
<div class="level-item">
|
||||
<span class="icon">
|
||||
<i class="fa-sharp fa-solid fa-circle-arrow-down"></i>
|
||||
</span>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
<div class="acc-panel">
|
||||
<div class="acc-panel-content">
|
||||
{{ range where .essays "year" .year }}
|
||||
<p><a href={{ .url }}>{{ .title }}</a>, {{ .publication }}, {{ .date }}.</p>
|
||||
{{ end }}
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,15 @@
|
|||
<div class="writing-section">
|
||||
<div class="columns">
|
||||
<div class="column is-one-fifth" >
|
||||
<div class="thead">ESSAYS</div>
|
||||
</div>
|
||||
<div class="column">
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2022)}}
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2021)}}
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2020)}}
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2019)}}
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2018)}}
|
||||
{{ partial "essay-accordion" (dict "essays" .Params.Essays "year" 2017)}}
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -0,0 +1,16 @@
|
|||
<head>
|
||||
<meta charset="utf-8">
|
||||
<meta name="viewport" content="width=device-width, initial-scale=1">
|
||||
{{ $title := print .Site.Title " | " .Title }}
|
||||
{{ if .IsHome }}{{ $title = .Site.Title }}{{ end }}
|
||||
{{/* scss compiling */}}
|
||||
{{ $options := (dict "targetPath" "css/style.css" "outputStyle" "compressed") }}
|
||||
{{ $style := resources.Get "scss/main.scss" | resources.ToCSS $options }}
|
||||
{{ template "_internal/twitter_cards.html" . }}
|
||||
<link href='{{ $style.RelPermalink }}' rel="stylesheet">
|
||||
<title>{{ $title }}</title>
|
||||
{{- partial "octocss.html" . -}}
|
||||
{{ if eq .Title "Writing" }}
|
||||
{{ partial "writing-head"}}
|
||||
{{ end }}
|
||||
</head>
|
||||
|
|
@ -0,0 +1,83 @@
|
|||
<style>
|
||||
.accordion {
|
||||
cursor: pointer;
|
||||
margin-bottom: 0 !important;
|
||||
padding: 8px 0 8px 0;
|
||||
}
|
||||
|
||||
.acc-panel {
|
||||
max-height: 0;
|
||||
overflow: hidden;
|
||||
transition: max-height 0.2s ease-out;
|
||||
border-bottom: 1px solid;
|
||||
font-weight: 600;
|
||||
}
|
||||
|
||||
.acc-panel-content {
|
||||
padding-bottom: 20px;
|
||||
}
|
||||
|
||||
.acc-panel p{
|
||||
padding-bottom: 8px;
|
||||
font-weight: 400;
|
||||
font-size: 18px;
|
||||
}
|
||||
.acc-panel a {
|
||||
color: #0C84DC;
|
||||
text-decoration: underline;
|
||||
font-weight: 600;
|
||||
}
|
||||
|
||||
#writing-page .thead {
|
||||
font-family: IBMPlexSans, sans-serif;
|
||||
}
|
||||
|
||||
.accordion .level-item {
|
||||
font-family: IBMPlexSans, sans-serif;
|
||||
}
|
||||
|
||||
.accordion .icon {
|
||||
font-size: 1.5rem;
|
||||
}
|
||||
|
||||
.writing-section {
|
||||
padding-bottom: 64px;
|
||||
}
|
||||
|
||||
#books-section {
|
||||
padding-bottom: 24px;
|
||||
}
|
||||
|
||||
#books-section h3 {
|
||||
font-size: 21px;
|
||||
font-weight: 700;
|
||||
text-align: center;
|
||||
height: 7rem;
|
||||
}
|
||||
|
||||
.book-cell {
|
||||
font-family: IBMPlexMono, monospace;
|
||||
text-align: center;
|
||||
}
|
||||
.book-cover img {
|
||||
max-width: 140px;
|
||||
}
|
||||
|
||||
.book-blurb {
|
||||
font-family: IBMPlexMono, monospace;
|
||||
font-size: 12px;
|
||||
padding-top: 10px;
|
||||
}
|
||||
|
||||
.book-detail {
|
||||
font-family: IBMPlexMono, monospace;
|
||||
font-size: 18px;
|
||||
padding-top: 10px;
|
||||
text-decoration: underline;
|
||||
}
|
||||
|
||||
.book-detail a {
|
||||
color: #000;
|
||||
}
|
||||
</style>
|
||||
<script src="https://kit.fontawesome.com/a42e899e51.js" crossorigin="anonymous"></script>
|
||||
|
|
@ -0,0 +1,10 @@
|
|||
{{ define "main"}}
|
||||
<div id="writing-page" class="section writing">
|
||||
<div>
|
||||
{{ partial "essay-section" . }}
|
||||
{{ partial "books-section" . }}
|
||||
{{ partial "collective-section" . }}
|
||||
{{ partial "accordion-script"}}
|
||||
</div>
|
||||
</div>
|
||||
{{ end }}
|
||||
Binary file not shown.
|
After Width: | Height: | Size: 1.3 KiB |
|
|
@ -1,7 +1,7 @@
|
|||
@mixin define-font-family($name, $weight, $style, $filename) {
|
||||
font-family: $name;
|
||||
|
||||
src:
|
||||
src:
|
||||
url("../font/woff2/#{$filename}") format("woff2"),
|
||||
url("../font/ttf/#{$filename}") format("ttf");
|
||||
font-weight: $weight;
|
||||
|
|
@ -12,6 +12,7 @@
|
|||
|
||||
$sans_font: IBMPlexSans;
|
||||
$serif_font: IBMPlexSerif;
|
||||
$mono_font: IBMPlexMono;
|
||||
|
||||
@font-face {
|
||||
@include define-font-family($sans_font, normal, italic, 'IBMPlexSans-Italic.woff2')
|
||||
|
|
@ -40,4 +41,9 @@ $serif_font: IBMPlexSerif;
|
|||
@font-face {
|
||||
@include define-font-family($serif_font, lighter, italic, 'IBMPlexSerif-LightItalic.woff2')
|
||||
}
|
||||
|
||||
@font-face {
|
||||
@include define-font-family($mono_font, normal, null, 'IBMPlexMono-Regular.woff2')
|
||||
}
|
||||
@font-face {
|
||||
@include define-font-family($mono_font, 700, null, 'IBMPlexMono-Medium.woff2')
|
||||
}
|
||||
|
|
|
|||
|
|
@ -1,4 +1,4 @@
|
|||
$section-padding: 1rem 0rem;
|
||||
$section-padding: 1rem 0rem;
|
||||
$section-padding-desktop: $section-padding;
|
||||
$section-padding-large: $section-padding;
|
||||
|
||||
|
|
@ -12,6 +12,21 @@ $text-colour: #1F1F1F;
|
|||
|
||||
body {
|
||||
color: $text-colour;
|
||||
font-family: $serif_font;
|
||||
line-height: 1.7;
|
||||
|
||||
h1{
|
||||
font-family: $mono_font;
|
||||
font-size: 21px;
|
||||
|
||||
.red-text{
|
||||
color: #eb2b2b;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
.red-text{
|
||||
color: #eb2b2b;
|
||||
}
|
||||
|
||||
$hr-width: 0.15rem;
|
||||
|
|
@ -19,6 +34,10 @@ $hr-color: $gray;
|
|||
hr {
|
||||
background-color: $hr-color;
|
||||
height: $hr-width;
|
||||
|
||||
.red {
|
||||
background-color: #eb2b2b;
|
||||
}
|
||||
}
|
||||
|
||||
.nav-tabs.tabs {
|
||||
|
|
@ -30,7 +49,8 @@ hr {
|
|||
}
|
||||
a {
|
||||
padding: 0.5rem 0;
|
||||
font-size: 1.3rem;
|
||||
font-size: 1rem;
|
||||
text-decoration: underline;
|
||||
@media (max-width: 480px) { font-size: 1.1rem; }
|
||||
color: $text-colour;
|
||||
border-bottom-color: $hr-color;
|
||||
|
|
@ -39,9 +59,9 @@ hr {
|
|||
border-bottom-color: $hr-color;
|
||||
}
|
||||
}
|
||||
|
||||
padding: 0.8rem 0;
|
||||
.is-active a {
|
||||
text-decoration: underline;
|
||||
font-weight: bold;
|
||||
color: $text-colour;
|
||||
border-bottom-color: $hr-color;
|
||||
|
|
@ -51,7 +71,7 @@ hr {
|
|||
// adding styles to make navigation fit on mobile
|
||||
@media (max-width: 480px) {
|
||||
nav {
|
||||
.tabs {
|
||||
.tabs {
|
||||
display: initial;
|
||||
ul {
|
||||
border-bottom: none;
|
||||
|
|
@ -67,11 +87,22 @@ hr {
|
|||
font-size: 5rem;
|
||||
}
|
||||
|
||||
.is-size-0-1 {
|
||||
font-size: 57px;
|
||||
}
|
||||
|
||||
.header .hero-body {
|
||||
padding-left: 0px !important;
|
||||
padding-top: 8em;
|
||||
}
|
||||
|
||||
.button-book {
|
||||
background-color: #eb2b2b;
|
||||
color: white;
|
||||
float: right;
|
||||
font-family: $mono_font;
|
||||
}
|
||||
|
||||
#content {
|
||||
font-size: 1.1rem;
|
||||
strong,i,b,em {
|
||||
|
|
@ -79,7 +110,7 @@ hr {
|
|||
}
|
||||
em {
|
||||
font-style: italic;
|
||||
font-weight: lighter !important;
|
||||
font-weight: lighter !important;
|
||||
|
||||
}
|
||||
table {
|
||||
|
|
@ -88,7 +119,7 @@ hr {
|
|||
p {
|
||||
padding-bottom: 0 !important;
|
||||
}
|
||||
}
|
||||
}
|
||||
td {
|
||||
padding: 0.5rem 0;
|
||||
}
|
||||
|
|
@ -117,16 +148,16 @@ hr {
|
|||
&:not(.videos) p {
|
||||
padding-bottom: 1rem;
|
||||
}
|
||||
&.index {
|
||||
p {
|
||||
padding-bottom: 2rem;
|
||||
}
|
||||
}
|
||||
&.getintouch p {
|
||||
// &.index {
|
||||
// p {
|
||||
// padding-bottom: 2rem;
|
||||
// }
|
||||
// }
|
||||
&.getintouch p {
|
||||
padding-bottom: 0;
|
||||
}
|
||||
.contact {
|
||||
p {
|
||||
p {
|
||||
font-family: $sans_font;
|
||||
}
|
||||
.contact_text {
|
||||
|
|
@ -194,6 +225,14 @@ hr {
|
|||
width: 25%;
|
||||
}
|
||||
|
||||
.small{
|
||||
width: 25%;
|
||||
}
|
||||
|
||||
.medium {
|
||||
width: 50%;
|
||||
}
|
||||
|
||||
.clearfix {
|
||||
clear: both;
|
||||
}
|
||||
|
|
@ -209,16 +248,15 @@ hr {
|
|||
}
|
||||
|
||||
#content-column {
|
||||
@media all and (max-width: 1216px) {
|
||||
padding: 0 2rem;
|
||||
@media all and (max-width: 1216px) {
|
||||
padding: 0 2rem;
|
||||
}
|
||||
@media all and (min-width: 1408px) {
|
||||
@media all and (min-width: 1408px) {
|
||||
padding-right: 6.5rem !important;
|
||||
}
|
||||
}
|
||||
|
||||
.title {
|
||||
font-family: $serif_font;
|
||||
font-style: italic;
|
||||
font-weight: 200;
|
||||
}
|
||||
|
|
@ -235,9 +273,22 @@ p {
|
|||
}
|
||||
}
|
||||
|
||||
a {
|
||||
text-decoration: underline;
|
||||
}
|
||||
|
||||
a.no-underline {
|
||||
text-decoration: none;
|
||||
}
|
||||
|
||||
h1 {
|
||||
font-family: $mono_font;
|
||||
font-size: 21px;
|
||||
}
|
||||
|
||||
nav,footer {
|
||||
font-family: $sans_font;
|
||||
font-style: italic;
|
||||
//font-style: italic;
|
||||
}
|
||||
|
||||
.cv-entry {
|
||||
|
|
@ -269,16 +320,17 @@ footer {
|
|||
display: none;
|
||||
}
|
||||
}
|
||||
|
||||
/* EVENTS PAGE STYLES
|
||||
====================== */
|
||||
|
||||
#events-listing {
|
||||
h1 {
|
||||
margin-bottom: 1em;
|
||||
h1 {
|
||||
margin-bottom: 1em;
|
||||
font-weight: 600;
|
||||
font-size: 21px;
|
||||
}
|
||||
|
||||
|
||||
.events-list {
|
||||
|
||||
li {
|
||||
|
|
@ -289,7 +341,7 @@ footer {
|
|||
padding-bottom: 0;
|
||||
font-weight: bold;
|
||||
}
|
||||
|
||||
|
||||
small { font-weight: normal;}
|
||||
}
|
||||
}
|
||||
|
|
@ -297,35 +349,42 @@ footer {
|
|||
|
||||
/* ABOLISH THE FAMILY STYLES
|
||||
============================= */
|
||||
|
||||
#abolish-the-family {
|
||||
padding-top: 1rem;
|
||||
@media (max-width: 480px) { padding-top: 2rem; }
|
||||
@media (max-width: 480px) { border-top: 1px solid; }
|
||||
// padding-top: 1rem;
|
||||
// @media (max-width: 480px) { padding-top: 2rem; }
|
||||
// @media (max-width: 480px) { border-top: 1px solid; }
|
||||
background-color: #fff5f5;
|
||||
|
||||
.book-cell {
|
||||
h1{
|
||||
text-align: center;
|
||||
color: #eb2b2b;
|
||||
|
||||
}
|
||||
|
||||
.book-cover { margin-top: 2em; }
|
||||
|
||||
|
||||
.order-link {
|
||||
text-decoration: underline;
|
||||
text-decoration: underline;
|
||||
font-size: 1.2rem;
|
||||
color: #851c22;
|
||||
display: inline-block;
|
||||
color: #eb2b2b;
|
||||
text-align: center;
|
||||
//display: inline-block;
|
||||
@media (max-width: 480px) { padding-top: 1em; }
|
||||
}
|
||||
|
||||
|
||||
margin-bottom: 1.5em;
|
||||
}
|
||||
|
||||
#reviews {
|
||||
margin-bottom: 2rem;
|
||||
h2 {
|
||||
font-family: 'IBM Plex Serif', sans-serif;
|
||||
h2 {
|
||||
font-family: 'IBM Plex Serif', sans-serif;
|
||||
font-size: 2rem;
|
||||
font-weight: 300;
|
||||
font-style: italic;
|
||||
}
|
||||
|
||||
|
||||
ol {
|
||||
padding-left: 1.5rem;
|
||||
li::marker { font-family: 'IBM Plex Serif', sans-serif; }
|
||||
|
|
@ -333,11 +392,18 @@ footer {
|
|||
}
|
||||
|
||||
.testimonial-card {
|
||||
font-family: $mono_font;
|
||||
font-size: 16px;
|
||||
text-transform: capitalize;
|
||||
font-weight: bold;
|
||||
border: 1px solid;
|
||||
color: #eb2b2b;
|
||||
padding: 1em;
|
||||
margin-bottom: 2rem;
|
||||
.testimonial-author {
|
||||
font-style: italic;
|
||||
font-weight: normal;
|
||||
font-family: $serif_font;
|
||||
font-size: 16px;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
|
@ -348,12 +414,11 @@ footer {
|
|||
@media (max-width: 480px) { padding-top: 3rem; }
|
||||
@media (max-width: 480px) { border-top: 1px solid; }
|
||||
|
||||
h1 {
|
||||
margin-bottom: 1em;
|
||||
font-family: 'IBM Plex Serif', sans-serif;
|
||||
font-weight: 200;
|
||||
font-size: 2.25rem;
|
||||
font-style: italic;
|
||||
h1 {
|
||||
font-family: $mono_font;
|
||||
font-size: 21px;
|
||||
margin-bottom: 1em;
|
||||
font-weight: 200;
|
||||
}
|
||||
|
||||
.audio-list {
|
||||
|
|
@ -364,10 +429,13 @@ footer {
|
|||
|
||||
p {
|
||||
padding-bottom: 0;
|
||||
font-weight: bold;
|
||||
|
||||
a{
|
||||
font-weight: bold;
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
small { font-weight: normal;}
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
|
|
|||
|
|
@ -1,18 +1,23 @@
|
|||
<!DOCTYPE html>
|
||||
<html>
|
||||
{{- partial "head.html" . -}}
|
||||
<body>
|
||||
<div class="columns">
|
||||
<div class="column is-3-fullhd is-1-widescreen is-hidden-touch is-hidden-desktop-only"></div>
|
||||
<div id="content-column" class="column is-6-widescreen is-8-desktop">
|
||||
{{- partial "header.html" . -}}
|
||||
{{- partial "nav.html" . -}}
|
||||
{{- block "main" . }}{{- end }}
|
||||
{{- partial "footer.html" . -}}
|
||||
{{ $content_class := $.Page.Params.title | lower }}
|
||||
{{ if eq (.Title | lower) "abolish-the-family" }}
|
||||
<body id="abolish-the-family">
|
||||
{{else}}
|
||||
<body>
|
||||
{{end}}
|
||||
<div class="columns">
|
||||
<div class="column is-3-fullhd is-1-widescreen is-hidden-touch is-hidden-desktop-only"></div>
|
||||
<div id="content-column" class="column is-6-widescreen is-8-desktop">
|
||||
{{- partial "header.html" . -}}
|
||||
{{- partial "nav.html" . -}}
|
||||
{{- block "main" . }}{{- end }}
|
||||
{{- partial "footer.html" . -}}
|
||||
</div>
|
||||
<div id="octopus" class="column is-4-widescreen is-4-desktop is-hidden-touch ">
|
||||
{{- block "octo" . }}{{- end }}
|
||||
</div>
|
||||
</div>
|
||||
<div id="octopus" class="column is-4-widescreen is-4-desktop is-hidden-touch ">
|
||||
{{- block "octo" . }}{{- end }}
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</body>
|
||||
</html>
|
||||
|
|
|
|||
|
|
@ -1,11 +1,10 @@
|
|||
{{ define "main" }}
|
||||
{{ $content_class := $.Page.Params.title | lower }}
|
||||
{{ if eq (.Title | lower) "about" }}
|
||||
<div class="columns">
|
||||
<div class="column is-one-third">
|
||||
<div class="headshot">
|
||||
{{ $img := relURL "img/headshot_example.png" }}
|
||||
{{ if isset $.Site.Params.about "headshot" }}
|
||||
{{ $img := relURL "img/headshot_example.png" }}
|
||||
{{ if isset $.Site.Params.about "headshot" }}
|
||||
{{ if fileExists ( printf "static/img/%s" $.Site.Params.about.headshot ) }}
|
||||
{{ $img := relURL ( printf "img/%s" $.Site.Params.about.headshot )}}
|
||||
<img src='{{ $img }}'>
|
||||
|
|
@ -17,11 +16,8 @@
|
|||
{{ end }}
|
||||
</div>
|
||||
</div>
|
||||
<div class="column">
|
||||
<div id="content" class='section {{ $content_class }}'>
|
||||
{{.Content}}
|
||||
</div>
|
||||
</div>
|
||||
<div id="content" class='section {{ $content_class }}'>
|
||||
{{.Content}}
|
||||
</div>
|
||||
{{ else }}
|
||||
<div id="content" class='section {{ $content_class }}'>
|
||||
|
|
|
|||
|
|
@ -2,7 +2,7 @@
|
|||
<hr>
|
||||
<div class="columns">
|
||||
<div class="column">
|
||||
<div>FIND ME AT</div>
|
||||
<!--<div>FIND ME AT</div>-->
|
||||
<div class="social-circles">
|
||||
{{ if isset $.Site.Params.social "twitter" }}
|
||||
{{- partial "social-circles/twitter.html" . -}}
|
||||
|
|
|
|||
|
|
@ -9,5 +9,5 @@
|
|||
{{ template "_internal/twitter_cards.html" . }}
|
||||
<link href='{{ $style.RelPermalink }}' rel="stylesheet">
|
||||
<title>{{ $title }}</title>
|
||||
{{- partial "octocss.html" . -}}
|
||||
<!--{{- partial "octocss.html" . -}}-->
|
||||
</head>
|
||||
|
|
|
|||
|
|
@ -1,12 +1,14 @@
|
|||
<div class="hero header octopus-mobile">
|
||||
<div class="hero-body">
|
||||
<a href="/">
|
||||
<p class="title is-size-0">
|
||||
{{ $content_class := $.Page.Params.title | lower }}
|
||||
<a class="button button-book no-underline" href="/writing/abolish-the-family/">NEW BOOK <b>Abolish The Family</b></a><br />
|
||||
<a class="no-underline" href="/">
|
||||
<p class="title is-size-0-1">
|
||||
{{ site.Params.header.name }}
|
||||
</p>
|
||||
<p class="subtitle is-size-4">
|
||||
<p class="subtitle is-size-6">
|
||||
{{ site.Params.header.subtitle }}
|
||||
</p>
|
||||
</a>
|
||||
</div>
|
||||
</div>
|
||||
</div>
|
||||
|
|
|
|||
|
|
@ -1,14 +1,14 @@
|
|||
<nav>
|
||||
<div class="tabs is-fullwidth nav-tabs is-italic is-uppercase">
|
||||
<div class="tabs is-fullwidth nav-tabs is-uppercase">
|
||||
<ul>
|
||||
<li{{ if eq $.Page.Params.Title "index" }} class="is-active"{{ end }}><a href="/">Home</a></li>
|
||||
{{ range $nav_tab := site.Params.navbar }}
|
||||
{{ $nav_title := replace $nav_tab "-" " " | title }}
|
||||
{{ if eq $.Page.Params.title $nav_title }}
|
||||
<li class="is-active"><a href="/{{$nav_tab}}">{{ $nav_title }}</a></li>
|
||||
{{ else }}
|
||||
{{else}}
|
||||
<li><a href="/{{$nav_tab}}">{{ $nav_title }}</a></li>
|
||||
{{ end }}
|
||||
|
||||
{{ end }}
|
||||
{{/* <li><a>About</a></li>
|
||||
<li><a>Writing</a></li>
|
||||
|
|
@ -16,4 +16,4 @@
|
|||
<li><a>Get In Touch</a></li> */}}
|
||||
</ul>
|
||||
</div>
|
||||
</nav>
|
||||
</nav>
|
||||
|
|
|
|||
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Reference in New Issue